No tool of modern technology is as universally used, and almost as universally reviled, in the world of business and government as is Microsoft PowerPoint. Perhaps most famous of the PowerPoint bashers is Edward Tufte, writer of several books and essays on information design. (I was fortunate enough to attend one of his courses in the late ’90s, his poster of Napoleon’s March to Moscow still hangs on the wall in my office.)
Tufte has described his issues with PowerPoint in magazine articles (such as PowerPoint is Evil in Wired magazine), in a self-published essay entitled The Cognitive Style of PowerPoint, and in a chapter in his latest book Beautiful Evidence. In the past week or so a few others have also lambasted PowerPoint, including Dave Snowden of Cognitive Edge in a couple of posts (Festival of Bureaucratic Hyper-Rationalism and Tufte and PowerPoint) and Scott Adams (via Dilbert).
Don Norman, of the Nielsen Norman Group, has a different take on PowerPoint. In his essay In Defense of PowerPoint, Norman places the blame not on PowerPoint but on those who use it improperly. “Don’t blame the problem on the tool.” Or, put another way – PowerPoint doesn’t bore people, people bore people. Cliff Atkinson is another who believes that PowerPoint can be used effectively. For some great ideas check out the Beyond Bullets blog or Atkinson’s book Beyond Bullet Points.
Of course, this problem is not limited to the world of business. One of the big promises of ever faster and more powerful consumer technology (if we are to believe marketing campaigns) is that everyone will be able to perform like an expert. Take, for example, the following pitch for Apple’s GarageBand software (emphasis is mine):
The new video track in GarageBand makes it easy to add an original music score to your movies. And don’t worry about your musical talent — or lack thereof. Just use GarageBand’s included loops, or try a combination of loops, software instruments, or any previous audio recordings you created.
Don’t get me wrong, I love GarageBand (and the whole iLife suite for that matter, I use it almost every day). It is very easy to create a ‘song’ using loops, like my First Song. Once I got comfortable with the GarageBand interface, it only took me a couple of hours to browse through the loops, pull some together so it sounded good, and export it to iTunes. The ‘song’ is listenable, but doesn’t reflect any real musical skill on my part. I didn’t apply any knowledge of time signatures, keys, tempo, or anything. I just dragged-and-dropped.
I guess my point is don’t get pulled into a false belief that a tool, any tool, can make you an expert at something or give you expert results. Remember, good tools are nice to have, but in the hands of a master even the simplest of tools can create wonders.